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- The Hyperrealistic Sculptures of Ron Mueck;
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Resend activation link. We and our trusted partners use technology such as cookies on our site to personalize content and ads, provide social media features, and analyze our traffic. You can read more about it and change your preferences here. Share on Facebook. Lina D. Can you see how the shapes of these sculptures might have been inspired by bones and skulls? Like many of us, Henry Moore would pick up interesting stones, shells and sticks when he went for walks in the countryside.
He took these back to his studio and used their shapes and textures to inspire the shapes and textures of his sculptures. He said:. The organic shapes of the sculptures in the slideshow below, look as if they have been inspired by found natural objects. Can you see one that reminds you of: Smooth pebbles you might find on a beach? A twisted stick or tree root?
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A broken seashell? A rough chunk of rock? That influenced me quite a bit. For me, it was the first big bleak lump of stone set in the landscape surrounded by marvelous gnarled prehistoric trees. It had no feature of recognition; no copying of nature — just a bleak powerful form. Very impressive. As well as taking inspiration from the shapes of natural objects, Henry Moore was also inspired by the landscape itself. The dramatic features of Yorkshire countryside near where he lived as a child, were an early inspiration. Look at the sculpture shown above. It is another reclining figure, but the separate pieces that make up the sculpture do not look like parts of the human body.
The bent knees look like a craggy cliff and the body looks a bit like a cave in a hillside. Even the head could be a tree on top of a round hill.
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But arranged together, they look like a figure lying down. In this way Henry Moore found a way of linking the human body with the landscape. Not only did he take inspiration from the landscape, Henry Moore made many of his sculptures for landscape settings. He felt that the natural features of the landscape would set off how his sculptures are seen. Although it is now generally seen in a gallery — at Tate Britain — Recumbent Figure was commissioned for the terrace of a modernist house in the Sussex countryside.
The sculpture would be seen alongside the rolling hills of the South Downs a large area of beautiful countryside in the South of England. The curving shape of the figure echoed the rolling shape of hills.
These bold sculptures were not trying to be real depictions of people and were very different to the realistic sculptures he had studied at art school. He spent hours in the museum drawing the sculptures, and used the drawings to get ideas for his sculptures. He said: 'You can learn the history of art from the British Museum…by looking at what has been done in the past, what other people have done to point the way'.
My drawings are done mainly as a help towards making sculpture…as a way of sorting out ideas and developing them.
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Artists often use drawings to develop their ideas. Henry Moore used drawing to work out how to transform the shapes of objects that inspired him into the strange and beautiful shapes for his sculptures. In this drawing you can see him transforming the shapes of rocks and stones into figures. From the s, Henry Moore began to make sculptures that explored both the inside and outside of objects.
The sculptures are quite complicated, but by using drawing he could work out his ideas and how he could make the sculptures work, before actually creating them. This drawing of an oval form shows an outside shape and also a more complicated inside shape which he has drawn using thick black lines. Sculpture is an art of the open air. Daylight, sunlight is necessary to it…I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in or on the most beautiful building I know. Although Henry Moore made Recumbent Figure for an outdoor location, it is now displayed inside a gallery at Tate Britain:.
Henry Moore made many of his sculptures for outdoor locations, intending that the natural elements and forms of nature would complement how the sculpture is seen. Have a go at designing a sculptue for an outdoor space near where you live. This could be a park, a shopping precinct or a countryside or seaside location. The sculptures in the slideshow above by Henry Moore and other artists in Tate's collection, may give you some ideas. Henry Moore planned his outdoor sculptures to be permanent.